Phebe Parisia generates large scale abstract installations and assemblages that examine the relationship between materiality, action and affect. Her works feature evolving assemblages and configurations of utilitarian synthetic materials including synthetic industrial fabrics, nylon objects, permanent marker actioned repetitive line worked panels and digitally printed vinyl of altered stock or media imagery.
The work often involves the creation of temporary structural devices or motifs such as screens, walls or altered picture frames within the space, which ‘perform’ a permanence or solidity. However, this sense of stability in the work is undermined by soft fabric, seemingly impermanent or unstable additions and the visually jarring patterns enacted by the artist’s obsessive process of line drawing. Invoking historical precedents including Process art and Minimalism, Parisia’s work expresses an anxious integration of seemingly binary visual forms or experiences.
Parisia has exhibited in Australia and overseas. Her work is held in private collections in Australia, Iceland and Finland.